Blue City of Jodhpur founded in 1459, ubiquitous blueness of Jodhpur

Travellers journeying through the desolate landscape of the unforgiving Thar desert in the Indian state of Rajasthan would know when they had reached their destination. The sky would fall to the ground and everything would become a single color – blue. Jodhpur would lie before them, opening up like a blue treasure in the desert.

Why the population of the fortress city – the Blue City as it is universally known – took to painting their houses in various shades of blue is not completely certain. Yet most believe it is to do with the prevailing caste system in India.

It is thought that Brahmins – members of the priestly class – first took to coloring their houses blue (yet perhaps it should really be called indigo) to signify their domicile and to set them apart from the rest of the population. Soon, however, the rest of the population followed suit. History does not tell us which brave non-Brahmin was the first to do it, yet it happened and since that day the people of Jodhpur have steadfastly maintained this tradition.

Ask a local why all the houses are painted thus and the usual reply is that the color keeps the interiors cool and fends of mosquitoes. Yet if this truly worked then it would be quite likely that the whole subcontinent would be awash in various hues of indigo.

More likely is symbolism. Although an unscientific response, what answer would most give when asked the color of water? It is likely that the ubiquitous blueness of Jodhpur is an exuberant display of human resilience against the stark Thar desert which surrounds the town. Against the bleak backdrop of parched brown earth the blue city exerts itself magnificently.

You might think that closer inspection would lessen the impact of the color, yet a look at many of Jodhpur’s streets immediately puts that idea to rest. The word unremitting springs immediately to mind.

The modern trappings of life go side by side with evidence that many people still live as simply as they have always done. Although Jodhpur was only founded in 1459, the state of Rajasthan is significant in Indian history as it formed the bedrock of the Indus Valley Civilization, thought to be one of the most ancient human civilizations on the planet.

Perhaps the color has a calming effect but humans and animals seem to coexist peacefully side by side in Jodhpur. Even with the animals, inter-species friendships are not unheard of.

Squatting above the city like a giant bird mourning its broken blue eggs is the mighty Mehrangarh Fort the foundations of which were built in 1459, the year in which the English knight John Fastolf died – to be immortalised much later by Shakespeare as Falstaff.

The fort was ordered by Rao Jodha the ruler of Rathore who had decided to move his capital there. One legend has it that in order for the fort to be built the only human resident, a hermit, had to be forcibly evicted.

He cursed Jodha with the words May your citadel ever suffer a scarcity of water! Although the ruler did eventually appease the hermit by building him a temple the city is still hit by drought every four years or so.

A much darker legend is that of Rajiya Bhambi. Jodha promised that his family would be looked after eternally if he did one thing for him. The request was that he would be buried alive in the foundations of the fort. Rajiya agreed. To this day his descendants still live in a blue house on the land they were gifted by the ruler which is known as Rajiya’s garden.

The color of Jodhpur tells the history – and makes it legend - of a populace who shaped a paradise in the heart of the heat and sandstorms of Rajasthan.

Beautiful Vintage Coloured Photographs - George Eastman

On September 4th, 1888, 122 years ago, George Eastman applied for a camera patent. It wasn’t the first camera, but it was the first portable film camera Vintage Coloured Photographs







George’s interest with cameras had first ignited when he planned to take a camera on vacation to Europe. He ended up canceling the trip, but he became obsessed with photography. It was such a hassle to take a picture with the glass plates and wet chemicals and so he was a banker by day and chemical experimenter at night spending all his time after work scheming up a way to make the camera portable. He started experimenting with taking Vintage photos on paper that had been painted with emulsion and later he got the combination right by putting photos on cellulose which allowed him to easily roll the film up for storage and development later.

Rare & Beautiful Vintage Visions of the Future

In his patent he refers to it as a “detective camera.” I can only imagine that it’s because a detective would be the type of person who would need a portable camera. The way it worked is you would take 100 pictures and send it to Kodak for processing and they would send you back 100 pictures and a new roll of film.





Vintage Photography's earliest practitioners dreamed of finding a method for reproducing the world around them in color. Some nineteenth-century photographers experimented with chemical formulations aimed at producing color images by direct exposure, while others applied paints and powders to the surfaces of monochrome prints. Vigorous experimentation led to several early color processes, some of which were even patented, but the methods were often impractical, cumbersome and unreliable. 12 vintage cigarette ads





After decades of wishing for a practical color process, photographers were thrilled when Auguste and Louis Lumière announced the invention of the autochrome process. The Lumière brothers, inventors of the motion picture camera, presented their invention to the French Academy of Sciences in 1904.







The process used a screen of tiny potato starch grains dyed orange-red, green and violet. Dusted onto a glass plate, the dyed grains were covered with a layer of sensitive panchromatic silver bromide emulsion. As light entered the camera, it was filtered by the dyed grains before it reached the emulsion. While the exposure time was very long, the plate could be processed easily by a photographer familiar with standard darkroom procedures. The result was a unique, realistic, positive color image on glass that required no further printing.







George Eastman House has significant holdings of autochromes, including over 3900 examples by amateur photographer Charles Zoller of Rochester, New York. The museum also holds autochromes by Edward Steichen among others.









Woman in Oriental inspired gown, sitting in wooden throne, 1915



Costumed man examining jewelry, ca. 1910



Woman posed as Sphinx, ca. 1910



Genre scene, woman in kitchen peeling vegetables, ca. 1910